![]() And we don't know the answer to something when we get challenged. We become curious when we don't know the answer to something. I know what I need to do with the tools that are available to me and so do my students. White and Alison Le CornuĬhallenging to find a universal digital literacy toolĮvery individual’s context is unique. Residents and visitors – coined by David S. Mark Frensky – coined the phrases digital natives and digital immigrants in 2000 / 2001 – The Horizon Web 3.0 – the read/write/collaborative webĭigital natives/immigrants vs residents/visitors.Coined by Tim Reilly of O'Reilly media – progression or evolution of the web.If Web 1.0 was the ‘Write Web' and Web 2.0 is the ‘Read/Write Web', then Web 3.0 will be the ‘Read/Write/Collaborate Web'. Incorporates comments from people into the book.Learning with ‘e's Origins of Learning with ‘e's Steve Wheeler joins me to share about Learning with ‘e’s… Subscribe: Google Podcasts | Spotify | Stitcher | TuneIn | RSS | How do I listen to a podcast? Retrieved August 29, 2017.Play in new window | Download | Embed | Transcript ^ "Year-End Charts – Hot R&B/Hip-Hop Songs Titles – 2006".^ "Trina Chart History (Hot Rap Songs)".^ "Trina Chart History (Hot R&B/Hip-Hop Songs)".^ "Trina - Here We Go / Tonight (CD) at Discogs".^ "Trina Featuring Kelly Rowland - Here We Go (CD) at Discogs". ![]() Kelly Rowland - Here We Go (CD) at Discogs".
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![]() Even though we took A&R people down and showed them the reaction, this was not staged, this was real. We thought, ‘Damn, if they like that, what if we develop more stuff?’ And after ‘Everybody Dance’ it took a long time to get record companies to believe in us. It had something to do with being in that environment and hitting you with something that moved your soul, moved your heart, moved your feet, and all of a sudden we really believed in ourselves. I’d never seen anything like that and I realised the power of the groove, the power of the DJ to talk to the audience, and it had nothing to do with the radio. The people in the audience were playing air bass and stuff. I don’t remember what dance they were doing in those days, probably the rock or something. As soon as the opening drum hits everyone went (screams) and ran out to the dancefloor. Those are the only vocals on the record and everyone is losing their minds. We walk into this club, and my boy is playing this. This is going on for eight and a half minutes. Then we’d break it down, do that thing, break it down again, then get to my part where I go (plays guitar) with the clavinet playing. So we never heard the song again until three weeks later we were going to a disco and my man says: “Hey, come down and check this out.” “Check what out?” “You just got to see this.” And it was basically an instrumental that went (plays guitar, sings): “Everybody dance, clap your hands, clap your hands.” Then for an hour we’d play (plays guitar). Or you could make a reel-to-reel tape but then had to have a reel-to-reel tape player. The only way you could hear your music was if the engineer cut a lacquer and they’d cut it right there in the studio and you’d take that and take it home and listen on your record player. After we wrote that first song, we didn’t have a chance to hear it back, only in the studio, ‘cause we didn’t have cassettes. So our first session cost $10 and we had Luther Vandross, David Lasley, all these great singers who were working with us at Radio City. ![]() So we get there – and by the way, we’re playing with Luther Vandross, two shows a day at Radio City, so during the intermission we ran to the recording studio, where my boy was the maintenance engineer, and he paid the elevator boy $10 to keep quiet and not tell the boss that we record after hours. Remember, no one had played this song except for me until we got to the studio. He was like: “OK, that shit is cool, but what am I going to play?” Then he started imitating me and we were both going (noise), then all of a sudden Bernard came up with that genius bassline and we both started chucking and I started out-chucking him and about a minute later, as the writer, I thought, ‘Maybe I should just play simple and let him play the song’. So the first song I wrote I came up to Bernard and was: “Here’s how the song goes.” (plays guitar) Then I got really into it and went (plays guitar). The reason I think of it like that is ‘cause… Well, anyway, that’s what I call it, I’m not going to explain it. Because if I hear that in the root, I want to hear an A chord, I don’t want to call it a D. ![]() So I think of that as a A-minor 7 with a raised 5. I’m so traditional, whatever’s in the root, I would think of it as the chord. So we’d do the passing ‘cause I wanted to have Bernard do this chromatic thing (plays guitar). You can look at this many different ways, but I like to look at it as a D-minor 11 with an A in the bass. And this was the cool thing, this was the real Nile thing. Will you all pretend like I sound good, pretend like I’m in tune? So the first song was C-minor 7, B-flat 11 to C-11, A-flat-major 7. Just one chord, staying in the groove, but because I wanted to hear more harmonically, I wrote (plays guitar). It’s not the typical chord changes for an r&b song ‘cause in those days they’d be like (plays guitar) and you would just groove (plays guitar). So the first was “Everybody Dance”, it was (plays guitar). Bernard hadn’t written a song with me yet. “The first song I wrote for Chic was “Everybody Dance” and I remember at the beginning of Chic I was the only composer. In 1977 during one of Luther’s shows at Radio City Music Hall Nile Rodgers describes what happened. Nile Rodgers, Bernard Edwards and other members of what was to become CHIC were in Luther’s band touring on the road after the 1976 release of LUTHER. ![]() if a valid selection set was generated, then proceed. prompt the user to select closed polylines set a reference to the current model space. create an empty list, set a counter variable, and The sample function 'scon' return a concatenation of first string variable and second string variable. (defun C:POLYTABLE ( / *MS* A CNT I LST MYTABLE PT1 ROW SSET TLST) These sizes used here work with the Standard tablestyle in a new empty drawing. The TABLE is creating on the current tablestyle, so depending on the settings of your current tablestyle, you may have to adjust the sizing arguments in the (vla-addTable…) function in order for the table to look acceptable. You could easily adapt this to show the layer, color or any other property. One containing the area, and the other containing the ObjectID. This routine allows the user to select closed polylines, and it will create a TABLE with two columns. This example also creates some FIELDS using lisp. Hope this helps you understand what might need to be changed with your custom programs and how you might go about making the change.Here is an example of creating a TABLE entity using lisp. (strcat (rtos (getvar "CDATE") 2 6)(substr ms (- (strlen ms) 2))) Get the current milliseconds and append it to the CDATE value Check to see which AutoCAd release is being used Returns a CDATE value that includes milliseconds based on release When you explicitly use a quoted string in AutoLISP, that value is known as a literal string or a string constant. Within quoted strings the backslash (\) character allows control characters (or escape codes) to be included. The function returns the value of the CDATE system variable when executed on AutoCAD 2016-based products and earlier, and returns a value that combines the values of the CDATE and MILLISECS system variables when executed on AutoCAD 2017. A string is a group of characters surrounded by quotation marks. The following is an example of a custom function named CDATE that returns the values of the MILLISECS and CDATE system variables based on the release of AutoCAD being used. However, if you are just tracking time differences, you might just want to migrate to using the MILLISECSsystem variable instead of the CDATE system variable. Using the MILLISECSsystem variable, you could get the last 2 or 3 digits of the value and append them to the value returned by the CDATE system variable if you want a value that is comparable to that returned in AutoCAD 2016-based products and earlier. The MILLISECSsystem variable returns the time difference in which the workstation was booted until now in milliseconds. When working with time intervals as small as milliseconds, consider looking at the MILLISECS system variable. If your custom programs do rely on milliseconds, chances are your custom programs might not be functioning as expected or could be taking longer than they did in previous releases if you are using a loop to wait for a detectable time change. ![]() If you are using these system variables, make sure your programs don't rely on time intervals as small as milliseconds. However, the CDATE system variables are also used to determine how long it takes for a custom program to run or to generate unique block names/entries in a log file. ![]() In AutoCAD 2017-based products, the CDATE and DATEsystem variables no longer store the current time down to the current millisecond which if you are getting the current date or time might not be a deal breaker for your custom programs. ![]() A bold new direction in open-world freedom, storytelling, mission-based gameplay and online multiplayer, Grand Theft Auto V focuses on the pursuit of the almighty dollar in a re-imagined, present day Southern California. There will be spoilers for FNaF 3, 4 and World.GTA V (GTA 5, Grand Theft Auto V, Grand Theft Auto 5, Grand Theft Auto, GTA) Out now for PlayStation4, Xbox One, PlayStation3, Xbox 360, and PC. Steam Community:: Guide:: Five Nights at Freddy's World Update 2: How to get all Characters! In this guide, you'll learn how to unlock all of the new characters in FNaF World. It may look a bit confusing, but its actually very simple.-have means if you have added the animatronic to your. They look like this: have= next= lv= Now, don't be intimidated. Now, FNaF World uses text lines to see if characters have been obtained. Now here's the part where you add characters! Scroll down to the bottom of the document. He's noticeably less withered and more brighter. Nightmare Fredbear has not changed too much from his Five Nights at Freddy's 4 appearance, with the exception of him turning into a smaller cuter art-style. Nightmare Fredbear is based off of his appearance in Five Nights at Freddy's 4. □ FNAF AR December Update □ + Golden Freddy is here! Nightmare Fredbear is (presumably) a unlockable character within the upcoming FNaF World game. Here's my save file in FNAF World if anyone wants to use it: (I've unlocked all the characters) Close. Coffee is completely identical to his appearance in The Desolate Hope. He can be unlocked if the player beats FNaF 57: Freddy in Space without collecting any upgrades. He comes from one of Scott's previous games, The Desolate Hope. How To Unlock All Characters In Fnaf World Update 2Ĭoffee is a secret character that was added in the 1.2 update of FNaF World.How To Unlock All Characters In Fnaf World Update 2 Hacks.Unlock All Update 2 Characters In Fnaf World. But I didn't upload it because it affects the attack manager file for Pathfinder and so these extensions would be incompatible e.g. I rewrote my extensions in such a way that there would be an armor bonus named "ghost" which would be only applied against incorporeal attacks (because I didn't think about the IFT trick). Your effect would be an armor effect which is always applied as an armor effect because my extension does not have an ghost touch armor bonus ![]() Then this should be applied only against incorporeal attacks (or rather 'AC: 4, melee' than 'AC: 4'? maybe also with some bonustype). Thanks for the modifications.Just to make it clear: I only changed the attack (3.5e) or damage (Pathfinder) code when there is ghost touch When you want to have an armor effect against ghost touch, then rather make an effect like ![]() In order for the effect to be properly executed the character must be on the Combat Tracker (CT) and either they or another actor must make an action (usually a dice roll) which involves the character. ![]() For the ghost touch armor, just make an entry in the effects for the character of AC: x armor, ghost touch where x is the amount of armor that has the ghost touch enchantment on it. In Fantasy Grounds an effect is anything which gives the character either a bonus or penalty of some kind to a dice roll they are about to make. Just confirmed that the Pathfinder version of the ghost touch effect seems to be working right, both for armor and weapons. ![]() But then i started getting this error message that first one. How do i fix this issue? Do i have to download aeroglass windows 10? If so, does anyone have the link for it? Last time someone posted the link for windows 8 and i used it and liked how it looked. Do you want to copy it into the clipboard? This is free version of aero glass for win 8.1. Then a bit later on, i always get this message as well ![]() You should download appopiate symbowls package for your os from microsft and click retry aero glass does not know how to hook your version of dwm. I get this error message everytime i start up laptop.Īero glass for win8.1 + incompatibility issue. It looks very nice but the thing i downloaded was aero glass for windows 8.1. I asked if there was a way to make windows 10 look like windows 7 and i was told to download aeroglass. I previously used windows 7 for a long time. So im posting it here because my previous thread about this was posted here. Aeroglass needs sometimes to get the symbols from microsoft servers ( the meaning. Furthermore, you should not enable Glass for modern apps unless you are certain that secure boot is off. During the installation, make sure to uncheck the Install Aero Glass theme option if you are planning on using a custom theme. if you run a previous windows 10 build you have to choose 1.4.6 aeroglass version. Visit the download page and get the Installer (32-bit + 64-bit Windows) as it will work on any computer. I posted this in general but not sure if it belong there or here. if you run windows 10 ANNIVERSARY only you have to pick the right aeroglass version ( current one is 1.5.2 available on download page here : Aero Glass for Win8+. ![]() If in doubt please contact our customer service team at ReturnsĪt we want you to be 100% happy with your purchase, and we'll doĮverything we can to make sure you are. We deliver to the United States and US territories. Will send you an email to let you know when each item is on its way. Items that are ordered on the same day may arrive to you on different days. ![]() Your order does not arrive within 14 days please contact us so that we can PLEASE NOTE THAT ORDERS PLACED USING FEDEX CANNOT BE DELIVERED TO PO BOXES. Hardware items (DVD Players etc.) whether as a standalone item or as a bundle with other products are subject to an individual postal pricing as specified on the product page. We currently have Free Standard Shipping but charge for Expedited and Next Business Day:ģ.00 p.m. Due to the variability of transportation, Package Services and UPS Mail Innovations packages may take up to two to five weeks to reach Hawaii, Alaska, Puerto Rico and any U.S. ![]() may be affected by the limited availability of transportation. The timeliness of service to destinations outside the contiguous U.S.Order in 1 Business day. This service is only available on orders placed Monday through Thursday Standard Shipping - you will receive your order in 3-10 days.On your method of shipping, your timing will vary. Soon as your order is sent from our warehouse you will be sent an email to Issues with your delivery, please contact us at will I know when my order has Orders placed after 12:00pm EST on Friday will be sent on the following Monday. Items ordered after 12:00pm EST will be sent on the following day. Orders shipped afterĭecember 15 th via Standard Delivery may arrive after Christmas.Īll items ordered before 12:00pm EST will be sent the same day. The last recommended order date to arrive prior to Christmasįor Standard Shipping is December 15 th. Last Recommended Order Date to arrive before Christmas ![]() In the second terminal, it's specifically noted that Flood ships employ no meaningful strategy beyond attempting to make physical contact so they can board other ships. In the first terminal, they use large commercial freighters and cruise liners as troop transports to crash down on cities, accompanied by thousands of smaller craft that sacrifice themselves as a sort of ablative armor - the local defense fleets are otherwise ignored entirely. ![]() Halo 3's terminals shed some light on the Flood's naval tactics during the war with the Forerunners.In Halo 3, the mission Floodgate begins when a formerly Covenant owned cruiser, the Indulgence of Conviction, teleports into Earth's atmosphere and crash lands in Voi, threatening to infect all of Africa, and then Earth.High Charity fell when In Amber Clad suddenly teleported nearby and rammed itself into High Charity's inner walls, then deploying UNSC Pelicans to then crash land all around the city and release tons of Flood.While later Flood infection stages can probably pilot space ships for combat or for controlled manoeuvres, it's much more convenient and quicker for the Flood to use ships to crash land in uninfected areas to kickstart their invasion as they come pouring out the wreckage. Combat Tentacles: A standard mutation for Combat Forms, and more obvious with the Abominations.The short story Sacrifice confirmed they were successfully scoured from High Charity's ruins. The Bus Came Back: After being largely absent from the franchise's timeline since the end of Halo 3, the Flood returned as the Non-Player Character antagonists of a DLC campaign for Halo Wars 2.Body Horror: Infectees get their entire bodies mutated to better fit their role within the Flood (to the point where even their DNA is completely rewritten), and once an outbreak has reached a certain point, their bodies are broken down into building blocks for even more gruesome "Pure" Forms.It's latter subverted with The Reveal that the Flood, through their Precursor origins, mean to inflict pain and suffering on all life. Blue-and-Orange Morality: Gravemind doesn't seem too clear on why people mind being consumed and transformed into parasitized zombies.Given their sheer numbers, they can definitely afford to rush in with all they got. Attack! Attack! Attack!: Flood almost never stop charging forward to sweep everything in their way, and if they do retreat you can expect them to be circling back around very soon.They consider the Covenant, however, to be little more than additional biomass to be consumed, save when Truth is in danger of wiping them out. Arch-Enemy: The Forerunners and the Humans.Once that's done they immediately go back to fighting one another. Alliance with an Abomination: Willing to pull an Enemy Mine to prevent the Covenant mistakenly launch a superweapon to destroy all life in the galaxy.Alien Kudzu: The Flood will basically do this to any environment they take over, to the point where even simply breathing in the air will render one susceptible to infection.Fortunately, their foes can use this fragility against them they'll also pop if another Infection Form pops right next to them, resulting in a chain reaction if they're clustered close enough together. Infection Forms are a weaker form of this if they come into contact with energy shields, they pop and deal minor damage to it.Carrier Forms their entire shtick is that they explode when in close proximity to a target or when killed, dealing major damage and releasing more Infection Forms. ![]()
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